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🎭 Format Guide

Stage Play

Theatre script format is more flexible than film — but flexibility demands discipline. Learn the conventions that make a stage play producible and readable.

Acts & ScenesStage DirectionsCharacter ListUK Theatre Standard
Overview
What Makes a Play Script?

A stage play script is a document that must serve two audiences simultaneously: the director who will interpret it, and the actors who will embody it. Unlike a screenplay, a play script gives stage directions that describe the theatrical world rather than a photographic one.

There is no single universal play format — the UK has several traditions (Samuel French, Methuen Drama, the in-house formats of the National Theatre and Royal Court) — but core conventions are widely shared.

Page Layout
Play Script Layout
THE EMPTY PIER A Play in Two Acts DRAMATIS PERSONAE HELEN, a retired marine biologist, late 60s CORIN, her estranged son, 40s THE STRANGER, indeterminate age ACT ONE Scene One A weathered pier. Rusted bollards. The sound of the sea, close. HELEN stands with her back to us, watching the water. A long silence before she turns. HELEN It's smaller than I remembered. Everything is, when you've been away long enough. Pause. She sits on a bollard. CORIN (from offstage) Mum? The cab's waiting. Act / Scene Stage dir. Character Dialogue Direction Paren.
Stage Directions
Writing Directions

Stage directions in a play are written in the present tense, usually in italics, and set in parentheses or on their own line depending on the publisher's style. They describe only what an audience can see or hear — never inner psychology.

  • 01
    Be theatrically specific Don't write "The room is depressing." Write "Bare walls, a single bare bulb, a chair with a broken leg." Give the designer and director something to work with.
  • 02
    Stage positions UK and international theatre uses SR (stage right), SL (stage left), CS (centre stage), US (upstage — away from audience), DS (downstage — towards audience). These are from the actor's perspective facing the audience.
  • 03
    Sound and light You may indicate sound cues and lighting states in directions, but keep them suggestive rather than prescriptive. "The lights narrow to a spot on her face" is acceptable. Writing a full lighting plot in the script is not.
  • 04
    Entrances and exits Always note when a character enters or exits, and from where if it matters. "CORIN enters SR" or "She exits through the upstage door."
Key Terms
AbbreviationMeaningNotes
SR / SLStage Right / Stage LeftFrom actor's POV facing audience
US / DSUpstage / DownstageAway from / towards audience
CSCentre StageGeographic centre of the playing area
USR / DSL etc.Combined positionse.g. Downstage Left
XCross (move across stage)"She Xs SR to the window"
Beat / Pause / SilenceA moment of non-speechBeat = short; Silence = long
Script Specimen
THE EMPTY PIER
A Play in Two Acts by [Author]
DRAMATIS PERSONAE
HELEN — a retired marine biologist, late 60s
CORIN — her estranged son, 40s
THE STRANGER — indeterminate age
ACT ONE
Scene One
A weathered pier. Rusted bollards. The sound of the sea, close and grey. HELEN stands DS, her back to us. A long silence.
HELEN
It's smaller than I remembered. Everything is, when you've been away long enough.
Pause. She turns. She sits on a bollard. A long look at the audience.
CORIN
(from offstage)
Mum? The cab's waiting.
⚠️ Key difference from screenplay: In a play, character names in dialogue are centred (or aligned to a consistent indent), not at the far right. Stage directions appear in italics or brackets between speeches, not as "action" blocks. Courier font is not required — many publishers use Times New Roman or Arial.
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Scene Breakdown Builder
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Quick Reference
  • Font Times / Arial / Courier
  • Dialogue name Centred or indented
  • Stage dirs Italics or brackets
  • Acts 1–3 typical
  • Scenes Numbered within acts
  • SR / SL Actor's right / left
  • US / DS Away / toward audience
  • Beat Short pause
  • Silence Long pause
  • Curtain End of act
  • Blackout Lights to black
  • Running time ~1.5 hrs per act